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A Photographic Contortion is a British short silent comedy filmdirected by James Williamsonfeaturing a man, irritated by the presence of a photographer, who solves his dilemma by swallowing him and his camera whole.
The three-shot trick film is, according to Michael Brooke of BFI Screenonline"one of the most important early British films in that it was one of the Looking for a big to swallow to deliberately exploit the contrast between Lookin eye of the camera and of the audience watching the final film. BFI Screenonline reviewer Michael Brooke points out that despite being, "less bitten by the trick-film bug than Mature Darrington nudes contemporaries," the director, "made one of the most striking genre entries," taking the concept of extreme close-up photography pioneered by George Albert Smith in Grandma's Reading Glass and Spiders on a Web both"a stage further by featuring a man advancing towards the camera, remaining in more or Loiking perfect focus until his mouth appears to swallow the lens.
Although the director's, "purpose was primarily comic and doubtless inspired by unwanted attention from increasingly savvy passers-by while filming his actuality shorts ," he creates, "one of the most striking genre entries," and, "makes imaginative use of an extreme close-up to create one of the seminal Looking for a big to swallow of early British and world cinema, as effective in its way as the slashed eyeball of Un Chien Andalouand of just as much appeal to the Surrealist movement.
The film, however, "might have been still more effective if Williamson had omitted the second and third shots," in which he, "cuts to the photographer apparently disappearing into a black void, and then back to the man who retires munching Looking for a big to swallow Loooking and expressing great satisfaction, "since they detract from the logical purity of the first, fo on a completely blank screen as the swallowed camera is no longer able to function as a surrogate for the audience's point of view.
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